The number one question is - What was
the "goal" of the design?
Why
did you go with a certain fabric, technique, or color? What was the problem you
faced and the solutions you sought in construction or design of the items or
the show?
On
the Entry Form you are asked to provide this information in detail for each
entry. This same form is used by the Judges in evaluating your work. They
will also take in the narrative used in your Display.
DISPLAYS: Space is limited, please confine the
overall display to 40" X 40" or LESS. Electric outlets are at a
premium. Please DO NOT presume you will have a nearby wall or vertical surface.
It
is suggested that Entrants include the following materials in their displays:
Renderings/sketches Fabric
swatches Plots
Production
photos Ground
plans and sections Research
Each item MUST reference to a display card that includes the same information as on the Entry Form.
DISPLAY CHECKLIST: The
following items are helpful when carting displays to Conferences.
tables/stands/easels cords
& clip or pole lights mannequins/dummies tape/safety/straight pins & clamps
WHAT ARE THE JUDGES LOOKING
FOR?
Judges
will consider the answer to "What is the goal?" when evaluating whether or not
the design (or designer) used their resources of time, budget, and technique
effectively.
Judges shall
- evaluate
each entry on its own merit and not against other submissions.
- consider
the overall design concepts and/or individual items as noted on Entry Form
- consider
the originality, effectiveness, suitability, adaptability, cost effectiveness,
- creativity, concept, layout/design, and workability
of each entry.
- consider
recognition on several different levels:
- - Outstanding Achievement
– excellence in every aspect
- - Award of Distinction
– highly deserving of recognition
- - Best of . . . –
unique construction, "green", most economic, etc.
*Not all awards have a
monetary attachment nor shall judges be required to dispense all awards in any
or all categories.
The Design Competition Committee (not the Judges) will award a Most Unique/Creative and
Best Overall Display certificate - so look for innovative options to highlight
your design work and be flexible in working around other designers needs during
the Conference.
SO . . . . . Do you still want to enter the Design
Competition??? All this sound a
little intimidating? Not a great draftsperson? Uncertain of your sketching
style?
WHO CARES!!
We want to see the concepts that rise from the
inspiration of hastily drawn figures on cocktail napkins at the local hang-out
to the lush and colorful renderings that could adorn the walls as artwork in their own
right.
Did
inspiration come from old photographs in a family album or the scrapbook you
completed for your kid's soccer camp? Was it trial-and-error – mostly
error – that led to creating an
octopus-like fog delivery system and you captured every turn with photos?
THAT'S THE CRAFT WE WANT TO SHARE!
"My interest is designing costumes – not just
stitching another's designs – began with a costume displayed at the 2000
TNT Annual Conference. The costume had a unique solution to a tear-away sleeve
and seeing how both Staff and Volunteer Designers have resolved costuming
concerns has been of immense value to me!"
-Alathea Blischke, Quad I Chair
"As a Props Builder/Gatherer –all of the
choices made from what china to select or sofa to recover to how to create
dozens of plates of Ôgreen eggs & ham' have been designs in their own
right. It isn't always about envisioning a whole new world – but making
the right selections that complement and complete that world."
Tracy Alexander, MCT DPVS
SO . . . collect up the collages of magazine
clippings, rescue your sketches from the recycle bin, or ask all the designers
working on a show to present the entire concept if you want some company
--
WHO WILL YOUR DESIGNS INSPIRE?